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Clockstoppers - 2002 Nickelodeon
Films
Zak Gibbs (Jesse Bradford) is a regular teenager who's only got girls and
hot rods on his mind, but all that changes when he finds a watch developed
by his scientist dad, Dr. George Gibbs (Robin Thomas). One day, while
raking leaves with his friend Francesca (Paula Garces), he discovers the
watch has special powers. It goes into "hypertime," speeding up the
molecular structure of whoever's wearing it, so the rest of the world
looks frozen, but is actually just moving much slower. At first Zak and
Francesca have a lot of fun playing pranks on people while in hypertime,
but soon they realize they are in grave danger. A corrupt corporate drone,
Henry Gates (Michael Beihn), wants to use the watch for evil deeds and
decides to kill Zak, his dad, and Francesca in the process. Gates kidnaps
Dr. Gibbs and Zak and Francesca enlist the help of a kooky scientist, Dr.
Earl Dopler (French Stewart, THIRD ROCK FROM THE SUN). The rest is high
action camp; it's like THE MATRIX for teens. All the action takes place to
a pounding soundtrack that includes artists Smashmouth, Blink 182, Sugar
Ray, and Kool Keith. |
Finally! A
film that I can actually be seen in! I'm sure there's a few more out
there, but I haven't seen them yet. I didn't bother with this film
in the theater, so my wife and I just waited for DVD, and when we finally
rented the thing and popped it into the machine, VOILA.. there I was,
standing in line to get airline tickets before the opening credits even
rolled.
When you're an extra on these things, they very seldom tell you what the
scene is about or where it's going to be in the movie.
I just
reported to Long Beach Airport one wintry late afternoon for an all night
film shoot that Central Casting had booked me on, and I was ready to do
whatever they wanted me to. The Casting Director who booked me told
me that I was an airline passenger and to dress casually and bring a
"carry on bag". I was told that the shoot would go until about four in the
morning, so when I arrived at the designated rendezvous point about a half
hour before the six pm call time, I had gotten plenty of sleep that day
and was feeling very energized. This was one of those calls where we
couldn't park near the shooting location for one reason or another, so
they had vans running back and forth between the parking area and the set,
which turned out to be a terminal at Long Beach Airport.
Right in front of the terminal was a parking lot that was obviously in use
for regular passengers and airline business, since it was a functional
terminal and was still open when we arrived. A parking lot on just
the other side of that one had all of the film company set up.. trailers,
big white tents, equipment, etc. That's where the van dropped me off
with about five other extras who'd arrived at the parking lot when I did,
along with a handful of crew members for the shoot. First thing I
did was locate the catering truck, get a big heaping plate full of
something very nice to eat, then go sit down in the extra's tent and eat
it. As I was having my dinner, the vans kept coming in a steady
stream and about a hundred other extras eventually filled up the tent.
After awhile, a young lady came into the tent, quieted everyone down, and
introduced herself as the second A.D. on the film. She gave a nice
little speech, welcoming everyone and describing basically what the film
was about and what part we would be playing this evening. She handed
out our vouchers and then told us where the wardrobe trailer was and said
that after we'd been cleared by wardrobe, to just hang out in this same
tent and relax until called to set. She warned us that the crew
hadn't even started setting up in the terminal yet, so it would be a LONG
time until then. Somewhere in her description of the film, she
mentioned that Jonathan Frakes ("Will Riker" on Star Trek: The Next
Generation) was the Director, which I didn't know until that point.
I'm a pretty big Star Trek fan, so I was really looking forward to seeing
him when I finally got on set.. turned out I didn't have to wait that
long. About an hour after getting checked by wardrobe, I was sitting
at a table reading a book when I heard a VERY familiar laugh a few feet
away. Some of the crew members were taking a break from setting up
and had grabbed some food and brought it in. They were at a table
across from mine and Jonathan Frakes had come in and was sitting with
them, laughing and joking about something or other. If I closed my
eyes, I felt like I was listening to one of those poker games on board the
Enterprise, that's how familiar his voice and laughter was to me! Of
course, I pulled out my cell phone and gave my wife a call.. I just HAD to
tell her that Jonathan Frakes was sitting ten feet away.
Jonathan Frakes (Commander "Will Riker") with actor
LeVar Burton ("Geordi LaForge") in a scene from the
Paramount motion picture "Star Trek: First Contact"
Eventually the second A.D. came in to get us, and she told us to grab all
of our stuff.. we would be moving into the terminal now that it was closed
and wouldn't be back to the white tent except for "lunch" at about
midnight that night. When we arrived at the terminal they had us go
upstairs where there's a coffee shop and we all found places to sit.
The coffee shop, like the terminal, gift shop and everything else, was now
closed and it was all ours. I grabbed a table next to a window with
about four other people and we sat and talked, read our books and
magazines, drank coffee and just waited to be called to set. That
call came about an hour later, when they came in and picked about half of
us to go downstairs and be in the first scene.
On the first floor under the coffee shop is an airline ticket counter and
that's where I was told to stand in line with a bunch of other extras.
The ones who didn't get placed in our line were all given something else
to do.. sitting in a chair reading a paper, walking through the door
toward the restroom, etc. After about a half hour of setting up with
all of us standing around in place, they were ready to shoot it and that's
when I first saw French Stewart. He was wearing a goofy looking fake
beard but I still recognized him from the sitcom "Third Rock from the
Sun". In this scene he pushes his way to the front of the line,
cutting in front of everyone, has some dialogue with the girl behind the
counter and then runs off into the terminal. That's all. It
didn't take long at all to shoot, about five takes and then we were sent
back upstairs for another hour or so.
Jesse Bradford and Paula Garces watch a
very slow moving Bee in "Clockstoppers".
During the shooting of the airline counter scene, the crew was adjusting a
lighting set up and they were going to go in "tight" (get a close up shot)
of French Stewart and the girl at the counter. It took about ten
minutes to make the adjustment and while they were doing so, Jonathan
Frakes just walked up to me and said "You look like you're going to
Bermuda!" I mumbled something incoherent and he just smiled and
turned his attention back to the lighting crew. We were told that in
this scene, the flight French Stewart is trying to catch is going to
Bermuda and so we were all dressed like tourists. I guess that's
what he was commenting about. I can't help but feel like he had
something more in mind, like giving me a few lines to say in the film thus
bumping me up to "dayplayer" status (every extra's dream!) and I had
totally blown it. Guess I'll never know. By the way, this is
the scene that I mentioned earlier where I actually got a *little* bit of
camera time. In the very beginning of the film, before credits and
everything else, the camera starts by looking at several clocks on the
wall that are showing different time zones. Then it pans down,
showing a group of airline passengers standing in line to get tickets, and
then it lands on French Stewart wearing his goofy fake beard. In the
line, I'm the guy wearing a backpack. I didn't show up anywhere else
in the film, even in the scenes I'm going to talk about next. So it
turns out that I drove all the way to Long Beach from Hollywood, spent the
whole night on this shoot and froze my butt off out on a tarmac (I'll talk
about that in a minute) to get three seconds of screen time. You
have got to be absolutely INSANE to be an extra in film and television!!
The
next scene we were called in for was in the adjacent terminal where we'd
all be sitting around waiting for the flight to start boarding. If
you've seen the film (or plan on seeing it), it's where French Stewart
buys the airline ticket off of the tourist guy so that he can board the
plane and escape the bad guys that are after him. (The ticket
counter girl wouldn't sell him a ticket because the flight was full, or he
didn't have a passport, or something..) I was seated in a chair by
myself and I had my "carry on" luggage with me, which was the
aforementioned back pack. In this back pack I had a recently
published book that had been authored by a very close friend of mine,
Lorie Lewis Ham. I had told Lorie that I had wanted to read her
first novel when it got published so she gave me a copy and I had brought
it to read during the down time between scenes. But I figured that
since I was a guy waiting to be boarding a plane, that I might as well be
reading a book while I waited. I was hoping like anything that I
would get on camera and be seen reading Lorie's book in the background, so
that when she and her kids saw the movie, the kids would see "Uncle Dave"
reading Mommy's book. Well, not only did the camera avoid me when
they shot the scene, but the second A.D. had brought over another guy and
sat him next to me before they shot it, telling us "I want you two guys to
be having a conversation". So much for reading Lorie's book on
camera.
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Check out Lorie's
website and order the book I didn't get to read in the movie!
"Murder in Four Part Harmony" was her first novel and is available
online.
<-------------
Click the PIC for
more info |
(end shameless plug for friend's book HERE, and
continue on with story..)
SO.. after shooting the terminal scene, it had gotten to be around
midnight and we were all sent over to the big white tent for lunch and
told to be back in the terminal an hour later. When lunch was over,
we were all sitting around in the terminal and then the second A.D. came
in and introduced the second unit Director of the film, who's name I've
since forgotten.
He explained to us that the next shot would be a
special effects shot, thus he would be Directing it. It would take
place out on the tarmac as we are all boarding a passenger airliner.
In the movie, French Stewart is at the head of the line, about to board
the plane when suddenly the bad guys come up to him in "hypertime" and
grab him off the mobile stairway. They drag him down the stair, past
the line of passengers and into the terminal at supersonic speed.
So we all went outside and lined up at an airplane parked on the tarmac.
I was about the eighth person in line at the foot of the stair and it was
COLD!! It was about one in the morning now, and the weather had
turned unusually nippy for southern California. They let us wear our
jackets while in between takes, but just before the camera rolled, a
couple of crewmembers went running down the line gathering them up.
They would stand just out of the camera frame and then redistribute the
jackets every time the Director yelled "CUT"! The first part of the
scene had French Stewart at the top of the stair giving his boarding pass
to the flight attendant, but the bad guys (who are in "hypertime") come up
and grab his boarding pass and toss it away, then grab him and drag him
down the ladder. I really didn't have a clue what they were doing
when they shot this part, because there were no bad guys to be seen.
The boarding pass was rigged to a fishing pole via a fishing line, and a
crew guy yanked it out of French's hand by jerking the pole suddenly.
The rest of it consisted of French's point of view, so they put the camera
on a golf cart and had it drive toward the terminal. The camera was
looking toward the rear, so in the scene the plane got smaller as it got
further away. When I finally saw the film I saw what the intent
was.. the bad guys are moving so fast they can't be seen and so the
boarding pass goes flying out of French's hand and then it's his point of
view as he gets dragged down the ladder, across the tarmac and through the
terminal, all in about four seconds. So of course, I wasn't seen
standing in that line at all.
Paula as "Francesca" plays around in some
slow moving water. I thought the effects
in this film were pretty cool, despite what
the critics had to say.
We finally wrapped up the shoot at about four in the morning as planned.
I had to wait about a year before I finally saw the film, since our
sequence was one of the first things they shot. I wasn't terribly
impressed, but I didn't think it
was as bad as the critics had made it out to be. Some of the effects were
pretty cool and I think kids like the movie. It IS kind of silly and
has more than a few implausibility's but geez, it's produced by
Nickelodeon, so what do you expect?
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